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"I forged a concept which is relatively simple and possibly unique in theology, and that is, the irrational is the primordial stratum of the universe."
- Philip K. Dick

Robot Music  
  Music created and performed entirely by robots.  

As far as I know, the earliest use of this phrase in science fiction.

Festival of the robots. The rocky amphitheatre was lighted now — a great red glare of swaying light from a funnel to one side. And the weird pseudo-factory again was in operation. From this angle the interior of one of its huge sheds was visible. Motley conglomeration of machinery! There was a great clanking upright engine of treadles, winches and a swaying crane. Eccentric cams clattered on another giant metal contrivance, powered by the engine with an intricate system of gears and belts between them. Monstrous fly heels whirled. Pulleys and chains hoisted and dropped huge weights with rhythmic banging thuds.

A cacophony of stentorious metal sounds. Raucous shrieks of electronic sirens reverberated out into the rocky darkness. A pandemonium clangor, clanking, jangling — robot music, all in full blast now for this festival of the machines.

Technovelgy from The Robot God, by Ray Cummings.
Published by Weird Tales in 1941
Additional resources -

Compare to the machine music from The Machine Stops (1909) by EM Forster, the meloderge from Saboteur of Space (1944) by Robert Abernathy, the mechanical tune-maker (1954) from The Last of the Masters by Philip K. Dick and the computer-created dub from Neuromancer by William Gibson.

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Additional resources:
  More Ideas and Technology from The Robot God
  More Ideas and Technology by Ray Cummings
  Tech news articles related to The Robot God
  Tech news articles related to works by Ray Cummings

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