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"It's also important to vary your stimuli. I always look for new things to shock the system. Just as you make muscles grow by shocking them, you make the mind grow by shocking it."
- Bart Kosko
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| SIN (Single Identification Number) | ||
| Mona could see the sun through a couple of rips in the black plastic they kept taped over the window. She hated the squat too much to stay there when she was awake or straight, and now she was both. She was 16 and SINless, Mona, and this older trick had told her once that that was a song, "Sixteen and SINless." Meant that she hadn't been assigned a SIN when she was born, a Single Identification Number, so she grown up on the outside of most official systems. She knew that it was supposed to be possible to get a SIN, if you didn't have one, but it stood to reason you'd have to go to a building somewhere and talk to a suit, and that was a long way from Mona's idea of a good time or even normal behavior. |
| Technovelgy from Mona Lisa Overdrive,
by William Gibson. Published by Bantam in 1988 Additional resources -
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'If the biological robots were not living creatures, they were certainly very good imitations.'
"Everybody and his dog, it seemed, wanted to live out in the country; transportation and communication were no longer isolating factors."
'... the new typewriter that could be talked to, and which transposed the spoken sound into typed words.'
'... underneath they consisted of networks of cooling tubes against the skin.'
'My cars talk to one another. I have no doubt about it...'
'... the imprint of her image on the telephoto cell.'
