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"If you have a gut response to a story, you are not responding to something new ..you are really responding to a story you were told when you were six or seven…"
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Simpson Stokes expresses this same sentiment in his tongue-in-cheek story Down on the Farm, published in Thrilling Wonder Stories in 1937:
“Don’t be coarse, Elbert,” Mrs. Geary said.
“Well, I’ve been to outlandish countries where they still have such awful habits, haven’t I? It nearly made me sick to see the way they depended on vegetation being transmuted through the filthy stomachs of animals, for meat and milk.
Compare to artificial food from The World Set Free (1914) by H.G. Wells,
syntho-steak from Farmer in the Sky (1950) by Robert Heinlein,
vat meat from The End of the Line (1951) by James Schmitz,
Chicken Little from The Space Merchants (1952) by Frederik Pohl and CM Kornbluth,
animal tissue culture vat from Uller Uprising (1952) by H. Beam Piper,
carniculture plants (factories) from Four-Day Planet (1961) by H. Beam Piper,
butcher plant from Time is the Simplest Thing (1961) by Clifford Simak,
pseudoflesh from Whipping Star (1969) by Frank Herbert,
vat-grown meat from Neuromancer (1984) by William Gibson and
ChickieNobs from Oryx and Crake (2003) by Margaret Atwood.
Arguably, one of the first people to talk about synthetic meat was Winston Churchill. In 1931 in an essay Fifty Years Hence he wrote:
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