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"The thing that I'm most interested in at the moment is the so-called Infinite Energy solution - the possibility of finding new ways of tapping into virtually limitless sources of energy."
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![]() Fear of automation has been around since the Luddites, if not earlier, but this is an early and explicit use of the idea in science fiction.
A more positive version of this idea can be found in Paradise and Iron by Miles J. Breuer, published in Amazing Stories Quarterly (1930):
Automatic machinery, of course! Wealth consists of the products of labor, but it has been measured in terms of human labor. Here the people had control of vast amounts of labor, labor that knew no fatigue, had no limitations, required no wages — the labor of automatic machinery. They had freely at their disposal the equivalent of the labor of millions of skilled and powerful workmen, without involving the degradation of a single human soul in the monotony of toil. As a result, all the people were able to devote themselves to the higher pursuits for which men have longed in vain during the ages when necessity compelled them to labor.
Here was another Athens! Here was a nation that had developed intellect and beauty to a degree that bid fair to rival that of the old Grecian city. However, in that Athens of old, which has done so much to mold the thought and taste of the world, there was a sad moral blot. The leisure that made possible the accomplishment of its artists, statesmen, and thinkers, was achieved only through the labor of millions of slaves. Of these toiling, driven, suffering multitudes, history has nothing to say, nor of the share which they deserve in the glory of Greece
In this modern Athens there was no such disgrace. The slaves doing the drudgery behind the scenes were not human beings, but machines — not the lives of a hundred human beings sacrificed to make possible one sculptor or philosopher, but only iron and oil, gasoline and electricity making beauty: the beauty of human bodies well and gracefully nurtured; the beauty of paintings, statuary, and music; the beauty of high and noble human thought.
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