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Science Fiction
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"...the elements of cyberpunk have dissolved into the whole SF genre, so it’s hard to find anyone writing who doesn’t owe serious debts to Gibson and his crew."
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The same phrase is used in Super Whost (1947), a whimsical story by Margaret St. Clair:
Oona hadn’t really cared for it. They were up high enough, to see the curvature of the earth, and it had been interesting to look down and watch the weather happening below, but the raft had been under a dome, of course, and something in the set-up had made Oona dizzy whenever she thought of it. She was sure it wasn’t the same thing, not at all the same, as being on another planet.
Compare to the deceleration chambers from The Storm (1943) by AE van Vogt, the escapecraft from The Ethical Equations (1945) by Murray Leinster, the space dory from Asteroid Justice (1947) by VE Thiessen, the
emergency space-boat from Revolt of the Star Men (1932) by Raymond Z. Gallun, the survival bubble from Footfall (1985) by Niven & Pournelle, life tubes from Liners of Space (1930) by Jim Vanny, the life ship from The Invisible World by Ed Earl Repp, the emergency lifeboats from Triplanetary (1934) by 'Doc' Smith and the escape pod from Star Wars (1976) by George Lucas. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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