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"I was perfectly satisfied to write science fiction knowing that it would pay very little, that it would be seen by only a very few people."
- Isaac Asimov
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| Cleaning Machine Warren | ||
| A room or space set aside for machinery when not in use. |
William Gibson, as a novelist, seems to have a special place in his heart for machines, using them to add a nineteenth century air to his work.
| All around her the planes of shadow in his study, the angular darkness. His hand coming forward, into the lamp's circle of light, unsteadily, to point at her, the robes cuffs sliding back to reveal a golden Rolex and more dragons, their manes swirling into waves, pricked out strong and dark around his wrist, pointing. Pointing at her. "Do you understand?" She hadn't answered, but had run instead, down to a secret place she knew, the warren of the smallest of the cleaning machines. They ticked around her all night, scanning her every few minutes with pink bursts of laser light, until her father came to find her, and, smelling of whiskey and Dunhill cigarettes, carried her to her room in the apartment's third floor. |
| Technovelgy from Mona Lisa Overdrive,
by William Gibson. Published by Bantam in 1988 Additional resources -
|
I think that the use of machines is meant to invoke an earlier time, the childhood of the character. It's a peculiar inversion, using machinery (and especially automata) to grant atmosphere or emotion to a book. I wonder if those of us who grew up in the period between the full flower of the great industrial machines (I'm thinking in particular of the Rouge steel plant in Michigan, a structure that really resonates with a nineteenth century vibe) and the Internet ascribe feelings of security to the idea of a machine warren.
And besides, if machines disappear somewhere and return shiny and recharged, ready for any task that comes, might you and I want to visit such a place?
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'The pitiless M rays pierced Earth and steel and densest concrete as if they were so much transparent glass...'
'Pina2bo would have to operate full blast for many years to put as much SO2 into the stratosphere as its namesake had done in a few minutes.'
'Nanny is different,' Tom Fields murmured... 'she's not like a machine. She's like a person.'
'We made a crude , small cell and were delighted - and, I admit, somewhat surprised - to find it worked.'
'...we've promised him a generous pension from the royalties.'
'The clothes and jewelery drew their tiny power requirements from her movements.'
'At the end of each appendage's eight fingers there are tinier appendages...'
'We want to do something to help those who are suffering from tooth loss or absence,' said lead researcher Katsu Takahashi.
