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Science Fiction
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"I wrote many novels which … contained the element of the projected collective unconscious, which made them simply incomprehensible to anyone who read them, because they required the reader to accept my premise that each of us lives in a unique world."
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Before the glittering New Moon, there was the first new moon:
The wondrous artificial satellite, first opened to the public a decade ago, had replaced a whole fleet of luxury liners that once had circled just outside the laws of Earth. The financial rating of the syndicate was still somewhat uncertain—Hannas had been called, among many other things, a conscienceless commercial octopus; but the new resort was obviously a profitable business enterprise, efficiently administered by Hannas and his special police.
His enemies—and there was no lack of them—liked to call the man a spider. True enough, his sign in the sky was like a gaudy web. True, millions swarmed to it, to leave their wealth—or even, if they accepted the dead-black chip that the croupiers would give any player for the asking, their lives.
Jack Williamson proved himself to be a master of imagination in the domain of space; compare this creation to the city of space from his earlier classic story The Prince of Space (1931).
Here's a bit more detail:
As an entertainment venue, compare to the orbital retirement hotel from Contact (1985) by Carl Sagan and the Freeside orbital resort from Neuromancer (1984) also by Gibson.
As a space station, compare to the brick moon from The Brick Moon (1869) by Edward Everett Hale, the city of space from The Prince of Space (1931) by Jack Williamson, the asteroid space station from Misfit (1939) by Robert Heinlein, the Venus Equilateral Relay Station from QRM - Interplanetary (1942) by George O. Smith, Wheelchair from Waldo (1942) by Robert Heinlein, the space transfer station from Between Planets (1951) by Robert Heinlein, the Sargasso Asteroid from The Stars My Destination (1956) by Alfred Bester,
the tether space station from Tank Farm Dynamo (1983) by David Brin and the high orbit archipelago from Mona Lisa Overdrive (1988) by William Gibson. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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Science Fiction
Timeline
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'It is remarkable that the long leverages of their machines are in most cases actuated by a sort of sham musculature...'
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