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"As a writer, I don't want to chew my cud. I don't want to have to spit out and regurgitate the same stuff again."
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The discipline needed on a space station was extreme, so recreation spaces were important.
George O. Smith describes a similar space in the center of the Venus Equilateral Relay Station in his 1942 story QRM: Interplanetary:
Arden jumped. She sailed upward, and as she passed through the opening, Channing caught her by one arm and stopped her flight. “At that speed you’d go right on across,” he said.
She looked up, and there about two hundred feet overhead she could see the opposite wall.
Channing snapped on the lights. They were in a room two hundred feet in diameter and three hundred feet long. “We’re at the center of the station,” Channing informed her. “Beyond that bulkhead is the air lock. On the other side of the other bulkhead, we have the air plants, the storage spaces, and several cubic inches of machinery.”
“Inches?” asked Arden. Then she saw that he was fooling.
“Come on,” he said. He took her by the hand and with a kick he propelled himself along on a long, curving course to the opposite side of the inner cylinder. He gained the opposite bulkhead as well.
“Now, that’s what I call traveling,” said Arden. “But my tummy goes whoosh, whoosh, every time we cross the center.
RF Starzl describes a somewhat more utilitarian space in Hornets of Space (1930):
There were hundreds of passengers walking around between the tall columns of satin-finished metal that radiated like the spokes of a wheel from the central core. They looked like flies walking inside the rim of a wheel two hundred feet in diameter.
Compare to the battleroom from Ender's Game (1985) by Orson Scott Card. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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