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Science Fiction
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"Science fiction has gotten more accurate as we've gotten closer to the present, because science fiction stories have not only attracted, but also generated current scientists."
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The same phrase is used in Super Whost (1947), a whimsical story by Margaret St. Clair:
Oona hadn’t really cared for it. They were up high enough, to see the curvature of the earth, and it had been interesting to look down and watch the weather happening below, but the raft had been under a dome, of course, and something in the set-up had made Oona dizzy whenever she thought of it. She was sure it wasn’t the same thing, not at all the same, as being on another planet.
Compare to the deceleration chambers from The Storm (1943) by AE van Vogt, the escapecraft from The Ethical Equations (1945) by Murray Leinster, the space dory from Asteroid Justice (1947) by VE Thiessen, the
emergency space-boat from Revolt of the Star Men (1932) by Raymond Z. Gallun, the survival bubble from Footfall (1985) by Niven & Pournelle, life tubes from Liners of Space (1930) by Jim Vanny, the life ship from The Invisible World by Ed Earl Repp, the emergency lifeboats from Triplanetary (1934) by 'Doc' Smith and the escape pod from Star Wars (1976) by George Lucas. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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Science Fiction
Timeline
The New Habitable Zones Include Asimov's Ribbon Worlds
'...there's a narrow belt where the climate is moderate.'
Chinese Hospital Tries Vonnegut's 'Harrison Bergeron' Cosplay
'He wore spectacles with thick wavy lenses. The spectacles were intended to make him not only half blind, but to give him whanging headaches besides.'
Can One Robot Do Many Tasks?
'... with the Master-operator all you have to do is push one! A remarkable achievement!'
Atlas Robot Makes Uncomfortable Movements
'Not like me. A T-1000, advanced prototype. A mimetic poly-alloy. Liquid metal.'
Boring Company Drills Asimov's Single Vehicle Tunnels
'It was riddled with holes that were the mouths of tunnels.'
Humanoid Robots Tickle The Ivories
'The massive feet working the pedals, arms and hands flashing and glinting...'
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