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Science Fiction
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"[Science fiction is] an integration of the mood and attitude of science (the objective universe) with the fears and hopes that spring from the unconscious."
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This description of how it feels to wear one of these suits is classic Hamilton:
Glancing out through the vision-windows I saw that Marlin and Whitely and Randall had struggled into their space-walkers also, and were signalling their readiness. We grasped therefore the tools and materials we had hastily assembled for our task, these being spare plates to repair the flier's outer wall and a small molecular- diffusion welder, and then with those in the grasp of our great pincer-hands were pulling ourselves toward the flier's screw-door. In a moment we had that open, and were crowding into the little vestibuic-chamber which lay between the outer and inner doors. Closing the inner one tightly behind us, we swiftly screwed open the outer door. As it opened there was a rush of air from about us as the air of the little vestibule-chamber rushed out into the great airless void outside, and then Marlin was leading the way out of that door, out into sheer space, outside our falling space-flier!
I saw Marlin drawing himself in his space-walker through the door and then floating gently out that door, floating in space a few feet from our flier and falling at the same rate as it toward mighty Saturn !
The idea of a space walk was probably first described in science fiction in Edison's Conquest of Mars (1898) by Garrett P. Serviss; see space walk.
Compare to the cylinder space suit from Islands in the Sky (1952) by Arthur C. Clarke.
Compare to these other early space suit references;
the air-tight suit from Edison's Conquest of Mars (1898) by Garrett P. Serviss, the pneumatic suit from The Shot into Infinity (1929) by Otto Willi Gail, the space suit from The Emperor of the Stars (1931) by Schachner and Zagat, the altitude suit from The Black Star Passes by John W. Campbell, the Osprey Space Armor from Salvage in Space (1933) by Jack Williamson, the space overalls from Lost Rocket (1941) by Manly Wade Wellman, the space bubble from The Planet Strappers (1961) by Raymond Z. Gallun and the Bubble Armor Space Suit from Agent of Vega (1949) by James Schmitz. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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Science Fiction
Timeline
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'...each of them is a neural mapping of the mind of a Tibetan monk who actually lived.'
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'... every veephone on the continent would display, over and over, two propositions.'
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'Completely silent, accurate up to about twenty meters. No recoil...'
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'He wore spectacles with thick wavy lenses. The spectacles were intended to make him not only half blind, but to give him whanging headaches besides.'
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