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"It's also important to vary your stimuli. I always look for new things to shock the system. Just as you make muscles grow by shocking them, you make the mind grow by shocking it."
- Bart Kosko
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| Virtual Meeting | ||
| A meeting space that exists only in a computer; the descendant of today's web conferences. |
William Gibson, the godfather of cyberpunk, dishes out some good work in Idoru. The descriptions of cyberspace are not just artful; they advance the plot by providing oblique details about characters and, invariably, exude a subtle ennui that is characteristic of Gibson's work.
| They met in a jungle clearing. Kelsey had done the vegetation; big bright Rousseau leaves, cartoon orchids flecked with her idea of tropical colors (which reminded Chia of that mall chain that sold "organic" cosmetic products in shades utterly unknown to nature. Zona, the only one telepresent who'd ever seen anything like a real jungle, had done the audio, providing birdcalls, invisible but realistically dopplering bugs, and the odd vegetational rustle artfully suggesting not snakes but some shy furry thing, soft-pawed and curious. The light, such as there was, filtered down through high, green canopies, entirely too Disneyesque for Chia - though there was not real need for light in a place that consisted of nothing else. |
| Technovelgy from Idoru,
by William Gibson. Published by Putnam in 1996 Additional resources -
|
You read a long way into this paragraph before you get any hint of unreality, which further heightens the effect.
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- Virtual Reality and Your Spider Sense
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| Transparent MicroLED Screen From Samsung |
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Science Fiction
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'...there's a narrow belt where the climate is moderate.'
'He wore spectacles with thick wavy lenses. The spectacles were intended to make him not only half blind, but to give him whanging headaches besides.'
'... with the Master-operator all you have to do is push one! A remarkable achievement!'
'Not like me. A T-1000, advanced prototype. A mimetic poly-alloy. Liquid metal.'
'It was riddled with holes that were the mouths of tunnels.'
'The massive feet working the pedals, arms and hands flashing and glinting...'
