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"In WWII, they had a saying that there are no atheists in foxholes. I think the modern equivalent of that is that there are no jaded, bored people in the high-tech industry, in the land of really good hardcore geeks."
- Neal Stephenson
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| Grip Shoes | ||
| Shoes with velcro soles used to walk in weightless environments. |
The stewardess came walking up the narrow corridor to the right of the closely spaced seats. There was a slight buoyancy about her steps, and her feet came away from the floor reluctantly as if entangled in glue. She was keeping to the bright yellow band of Velcro carpeting that ran the full length of the floor - and of the ceiling... This trick of walking in free fall was immensely reassuring to disoriented passengers. |
| Technovelgy from 2001: A Space Odyssey ,
by Arthur C. Clarke. Published by Del Rey in 1968 Additional resources -
|
This lets the stewardess walk "upside down." These are, of course, the Pan Am Grip Shoes (TM).
Thanks to Winchell Chung at Project Rho for the photo.
Compare to space-boots from The Passing of Ku Sui (1932) by Anthony Gilmore, magnetic boots from Salvage in Space (1933) by Jack Williamson, antigrav boots from The Day We Celebrate (1941) by Nelson S. Bond, magnetic shoes from The Dual World (1938) by Arthur K. Barnes,
Steel-Lined Space Boots from Roamer of the Stars (1938) by Clyde Wilson, the neutronium slippers from Revolt on the Tenth World (1940) by Edmond Hamilton, space socks from Lost Rocket (1941) by Manly Wade Wellman, the weight shoes from The World With A Thousand Moons (1942) by Edmond Hamilton, magnetic sandals from The Warriors (1966) by Larry Niven, magnetic-soled shoes from Space Tug (1953) by Murray Leinster and the flexible sprung boots from Inherit the Stars (1977) by James P. Hogan.
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Tech news articles related to works by Arthur C. Clarke
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| First Trips To Mars Announced By Elon Musk |
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'It was a smooth ovoid floating a few inches from the floor...'
'... he thrust in his charging arm to replenish his store of energy.'
'...the terrible Jovian gravity that made each movement an effort.'
