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Science Fiction
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"[Science fiction] is the only kind of writing that allows you to look at the world we live in and change one piece at a time."
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This is a very early reference to this idea as a way to travel between the stars. It is a seminal concept; most stories of space travel beyond the moon or mars make use of this idea.
People have probably been fascinated with the idea of hibernation-like states for millennia; recent research on a variety of animals (including amphibians as well as mammals) provides interesting benefits in the areas of sleep disturbance in humans.
I've been able to confirm that this term appears earlier, in the 1941 version of Heinlein's Methuselah's Children; here's the quote:
Biomechanicians have worked out complex empirical formulas describing body deterioration and the measures that must be taken to offset under various conditions of impressed acceleration, ambient temperature, drugs used, and other factors such as metabolic age, body mass, sex and so on...
There were a number of earlier mentions of the idea of freezing a person for a journey through time. For example, in Louis Boussenard's Dix mille ans dans un bloc de glace (1889; translated as 10,000 Years in a Block of Ice, 1898), the "deep sleep" actually resembled a primitive form of cryonic suspension. H.G. Wells created the first machine for suspended animation, in When the Sleeper Awakes (1898), to freeze his travelers time travel. Philip Francis Nowlan sends Buck Rogers to the 25th century in "Armageddon 2419" (Amazing, 1928) by putting him in a frozen or suspended state. (See Time Travel Literature by John L. Flynn for more details.
The essential problem solved by cold sleep is that of consumables; there is no way to carry (or launch) enough for the length of long voyages below light speed.
Compare to Suspended Animation (Frigorific Process) from The Senator's Daughter (1879) by Edward Page Mitchell, stasis from Heinlein's Door Into Summer (1951),
corpsicle from Pohl's The Age of the Pussyfoot (1965) and the EverRest Cryotorium from Roger Zelazny's Flare (1992). Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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