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"Cyberpunk worked when the Internet was in its hand-wound crystal radio phase, when you had to be a sort of hobbyist to do e-mail, and it all had a very steep learning curve. Those days are over."
- William Gibson
 |
| Graffiti-Eating Finish | ||
| A wall covering that maintained itself, eating any graffiti placed on it. |
William Gibson's environments tend to oscillate back and forth between gritty urban realism and (often computer-generated) perfection. Sometimes, real world objects are given the same degree of perfection as computer-generated objects.
| The store on Sunset had a finish that ate graffiti. The gang kids would come and tag it; twenty minutes later these flat, dark, vaguely crab-like patches of dark blue would come gliding out around the corner… They seemed to be embedded, a few millimeters down into the surface, which was a sort of non-glossy gel-coat affair, but able to move around under there. Smart material, he'd heard that called. And they'd glide up to the tag, whatever artfully abstract scrawl had been sprayed there to declare fealty or mark territory or swear revenge… and start eating it. |
| Technovelgy from All Tomorrow's Parties,
by William Gibson. Published by Putnam in 1999 Additional resources -
|
Imagine - a clean convenience store! Actually, of course, this is just the Lucky Dragon global chain protecting its brand image.
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| MXenes - Atomic-Thin Metal Sheets Now Easier To Make |
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'...they moved with the ease of dandelion puffs.'
'...some bored drone pusher in a remote driving centre...'
'These pods were programmed to hang in space in a hexagonal grid pattern...'
'...the meteor caught and halted just as a small boy catches a swift ball in his cap.'
'We have decided that it shall be but one ship... it must contain everything needed to take us through the generations.'
'You’re the robopsychologist of the plant, so you’re to study the robot itself...'
