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"If you have a gut response to a story, you are not responding to something new ..you are really responding to a story you were told when you were six or seven…"
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The wall TV had various features to engage the viewer. Scripts for shows were available, allowing the viewer to actually act as a part of the TV story. They had overwhelming sound systems built-in. The parlour, though, was not for everyone; Montag's friend Faber does not use them.
People who do not remember television from the 1950's may not appreciate what an incredible insight this is. The first public demonstrations of color TV had occurred only three years earlier. Here's some ad copy from one of the hottest sellers in 1950 - the Philco:
The characters on the screen were modified slightly at each location to correctly appear to call the home viewer by name (see spot-wavex converter).
For the old-fashioned alternative to parlour walls, see what Bradbury had to say about books:
Do you know why books such as this are so important? ...The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.
So now do you see why books are hated and feared, they show the pores on the face of life. The comfortable people want only wax moon phases, or less, hairless, expressionless. We're living in a time when flowers are trying to live on flowers, instead of growing on good rain and black loam.
Compare to the teleview screen from The Phantom Teleview (1929) by Bob Olsen. Comment/Join this discussion ( 11 ) | RSS/XML | Blog This | Additional
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