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"Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today -- but the core of science fiction, its essence has become crucial to our salvation if we are to be saved at all."
- Isaac Asimov
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| Police Sketch Artist Software | ||
| A tablet-style computer with sketch pad software to help identify suspects. |
At this point in the story, one of the officers has seen the bad guy. She describes him to a police "sketch artist."
(Software sketch artist from the film Runaway)
| "He had different eyes."
"Is that him?" "Face was narrower... and his eyes were squintier..." "More like that?" |
| Technovelgy from Runaway,
by Michael Crichton. Published by Tri-Star Pictures in 1985 Additional resources -
|
The sketch artist software operator would work with the controls and alter the picture based on the description of the witness.
(Police sketch artist pad detail)
Best of all, the resulting "sketch" could be animated; a moving picture of someone is a much better means of identification.
As far as I know, the earliest police sketch artist software to actually be used came out in 1995. Suspect ID by Imageware would allow an officer with no artistic background to create an image good enough to be used on the street.
This same company now offers an enhanced version of the same software, as well as face-recognition software to take images and search for suspects in databases.
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Additional
resources:
More Ideas
and Technology from Runaway
More Ideas
and Technology by Michael Crichton
Tech news articles related to Runaway
Tech news articles related to works by Michael Crichton
Police Sketch Artist Software-related
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| iPhone Air Fulfils Jobs' Promise From 2007 - A Giant Screen! |
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'...it raised its front end off the ground and waved its antennae at them, then raised one armoured claw as if to snip them out of the sky.'
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'...a hemispherical force field enclosing his head.'
'Then he became aware of a gentle pressure pushing him away from the ship.'
'And now they wre busily transforming all their companions, and so on, and so on...'
