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"The SF approach: an awareness that things could have been different, that this is one of many possible worlds, that if you came to this world from some other planet, this would be a science fiction world."
- Neal Stephenson
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| Cloud Sculpting | ||
| Using gliders and chemical showers to shape clouds artistically. |
A retired pilot finds his way to Vermillion Sands, and meets a kite-maker. Add a beautiful but mysterious woman to the mix, and you've got a great story.
| The tree gliders, brilliant painted toys, revolved like lazing birds above Coral D, waiting for the first clouds to pass overhead. Van Eyck moved away to take a cloud. He sailed around its white pillow, spraying the sides with iodide crystals and cutting away the flock-like tissue. The streaming shards fell toward us like crumbling ice-drifts. As the drops of condensing spray fell on my face I could see Van Eyck shaping an immense horse's head. He sailed up and down the long forehead and chiseled out the eyes and ears.
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| Technovelgy from The Cloud Sculptors of Coral D,
by J.G. Ballard. Published by Fantasy and Science Fiction in 1967 Additional resources -
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I don't know if anyone has ever tried cloud sculpting. Cloud seeding (the attempt to produce or alter precipitation and weather by sprinkling materials into clouds) was done just after World War II.
Thanks to John for letting me know about the great cover art for this story; I read it in the 'Vermillion Sands' collection.
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'The leg was to function, in a way, as a servo-mechanism operated by Larry’s brain...'
'The observation vehicle was of that peculiar variety used in conveying a large number of people across rough terrain.'
'The real border was defended by... a swarm of quasi-independent aerostats.'
'I ... set my automatic astronomical instruments to searching for a habitable planet.'
'...haven't you a section of the factory where only robot labor is employed?'
