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"We were essentially being shell-shocked by rapid change. That was one of the things you needed science-fiction writers for back in the Sixties, because we could cope with the future."
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![]() I thought the name of this idea was really enjoyable.
The vistascreen has other admirable properties:
“My second cousin’s nephew,” said
Senula Di, “is one of the finest four-
sense photographers in Yllia.”
“Four-sense photographer?” Laertes
asked.
“Not only are the pictures three dimensional to sight and touch, but they
give off appropriate subtle perfumes,
and the sounds are recorded on the
frame.”
Compare to the parlor walls from Fahrenheit 451 (1953), by Ray Bradbury and the transparent flat panel display from The Shape of Things To Come (1936), by H.G. Wells. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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