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"What we're doing pop culturally is like burning the rain forest. The biodiversity of pop culture is really, really in danger."
- William Gibson

Robot Factory Representative  
  An ambulatory agent of an automatic factory.  

He stopped talking. A figure had come into the room; it stood silently by the door, surveying them all.

In the dull shadows, the figure looked almost human. For a brief moment, O'Neill thought it was a settlement latecomer. Then, as it moved forward, he realized that it was only quasi-human: a functional upright biped chassis, with data-receptors mounted at the top, effectors and proprioceptors mounted in a downward worm that ended in floor-grippers. Its resemblance to a human being was testimony to nature's efficiency; no sentimental imitation was intended.

The factory representative had arrived.

It began without preamble. "This is a data-collecting machine capable of communicating on an oral basis. It contains both broadcasting and receiving apparatus and can integrate facts relevant to its line of inquiry."

The voice was pleasant, confident. Obviously it was a tape, recorded by some Institute technician before the war. Coming from the quasi-human shape, it sounded grotesque; O'Neill could vividly imagine the dead young man whose cheerful voice now issued from the mechanical mouth of this upright construction of steel and wiring.

"One word of caution," the pleasant voice continued. "It is fruitless to consider this receptor human and to engage it in discussions for which it is not equipped. Although purposeful, it is not capable of conceptual thought; it can only reassemble material already available to it."

Technovelgy from Autofac, by Philip K. Dick.
Published by Galaxy in 1955
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