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"We each live in a somewhat unique world of our own psychological content."
- Philip K. Dick
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| Robot Music | ||
| Music created and performed entirely by robots. |
As far as I know, the earliest use of this phrase in science fiction.
| Festival of the robots. The rocky amphitheatre was lighted now — a great red glare of swaying light from a funnel to one side. And the weird pseudo-factory again was in operation. From this angle the interior of one of its huge sheds was visible. Motley conglomeration of machinery! There was a great clanking upright engine of treadles, winches and a swaying crane. Eccentric cams clattered on another giant metal contrivance, powered by the engine with an intricate system of gears and belts between them. Monstrous fly heels whirled. Pulleys and chains hoisted and dropped huge weights with rhythmic banging thuds. A cacophony of stentorious metal sounds. Raucous shrieks of electronic sirens reverberated out into the rocky darkness. A pandemonium clangor, clanking, jangling — robot music, all in full blast now for this festival of the machines. |
| Technovelgy from The Robot God,
by Ray Cummings. Published by Weird Tales in 1941 Additional resources -
|
Compare to the machine music from The Machine Stops (1909) by EM Forster, the meloderge from Saboteur of Space (1944) by Robert Abernathy, the mechanical tune-maker (1954) from The Last of the Masters by Philip K. Dick and the computer-created dub from Neuromancer by William Gibson.
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Tech news articles related to The Robot God
Tech news articles related to works by Ray Cummings
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'The suit stands up and starts walking, gripping me round the calves and waist, taking the bulk of my weight off my throbbing feet.'
't came out into plain view. Darkington glimpsed a slim body and six short legs of articulated dull metal.'
'Internally it’s made up of millions of components, but the most important ones are the thinking and memory parts of the Mind proper.'
'I could look down at that face of carefully molded synthetic rubber, tinted the exact shade of the doctor's living flesh.'
'Chris, the City Fathers are not interested in your welfare; I suppose you know that. They're interested in only one thing: the survival of the city.'
'Drake was the young spatial engineer he employed to terraform the little rock...'
