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"There's a poetry in the materials we use to construct our world of artifacts; it speaks of our long history as a technological species."
- William Gibson
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| SIN (Single Identification Number) | ||
| Mona could see the sun through a couple of rips in the black plastic they kept taped over the window. She hated the squat too much to stay there when she was awake or straight, and now she was both. She was 16 and SINless, Mona, and this older trick had told her once that that was a song, "Sixteen and SINless." Meant that she hadn't been assigned a SIN when she was born, a Single Identification Number, so she grown up on the outside of most official systems. She knew that it was supposed to be possible to get a SIN, if you didn't have one, but it stood to reason you'd have to go to a building somewhere and talk to a suit, and that was a long way from Mona's idea of a good time or even normal behavior. |
| Technovelgy from Mona Lisa Overdrive,
by William Gibson. Published by Bantam in 1988 Additional resources -
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'...the rocket’s landing-arms automatically unfolded.'
'...points and patches of light... sliding all over their faces in a programmed manner that had been designed to foil facial recognition systems.'
'...the combined Wind-Suncatcher, like a spray of tulips mounted fanwise.'
'I went to the control room where the three other men were manipulating their mechanical men.'
'The low-slung monorail car, straddling its single track, bored through the shadows on a slowly rising course.'
'It was a smooth ovoid floating a few inches from the floor...'
'... he thrust in his charging arm to replenish his store of energy.'
'...the terrible Jovian gravity that made each movement an effort.'
