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"One can see the free software movement as a precusor for a "free hardware" or "free wetware" movement--one that will provide free libraries of designs for biological or nanotechnological products that replicators can be programmed to churn out."
- Charles Stross
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| Diaspar Memory | ||
| The city's memory could store works of art, and reproduce them upon request. |
| It was the custom of the city's artists - and everyone in Diaspar was an artist at some time or another - to display their current production along side of the moving ways, so that the passers-by could admire their work. In this manner, it was usually only a few days before the entire population had critically examined any noteworthy creation, and also expressed views upon it. The resulting verdict, recorded automatically by opinion-sampling devices which no one had ever been able to suborn or deceive - and there had been enough attempts - decided the fate of the masterpiece. If there was a sufficiently affirmative vote, its matrix would go into the memory of the city so that anyone who wished, at any future date, could possess a reproduction indistinguishable from the original. |
| Technovelgy from The City and the Stars,
by Arthur C. Clarke. Published by Unknown in 1956 Additional resources -
|
I note in passing that Clarke sees no future for intellectual property law in Diaspar...
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'... he had tightened the chest to gain maximum pumping action from the motion of breathing.'
'...a prayer wheel swung into view and began spinning at a furious pace.'
'And are all the people willing to be governed by a machine?'
'It's an old model,' Rawlins said. 'I'm not sure what to do.'
'the robot-boss was busy at the lip of the new lode instructing and egging the men on to greater speed...'
'He rode the bike with an intense lack of physical grace...'
