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"[Science fiction is] an integration of the mood and attitude of science (the objective universe) with the fears and hopes that spring from the unconscious."
- Gregory Benford
 |
| Padre Booth | ||
| Device that provides religious aid and comfort on demand. |
Getting ready to leave Earth, Joe Fernwright is seized by doubt. Who could he consult at a moment's notice in any spaceport?
| Getting to his feet he crossed the waiting room to the Padre booth; inside he put a dime into the slot and dialed at random. The marker came to rest at Zen.
"Tell me your torments," the Padre said, in an elderly voice marked with compassion. And slowly; it spoke as if there were no rush, no pressures. All was timeless. Joe said "I haven't worked for seven months and now I've got a job that takes me out of the Sol system entirely, and I'm afraid. What if I can't do it? What if I've lost my skill? The Padre's weightless voice floated back reassuringly to him. "You have worked and not worked. Not working is the hardest work of all." That's what I get for dialing zen, Joe said to himself. Before the Padre could intone further he switched to Puritan Ethic. "Without work," the Padre said in a somewhat more forceful voice, "A man is nothing. He ceases to exist." |
| From Galactic Pot-Healer,
by Philip K. Dick. Published by Berkley Publishing in 1969 Additional resources -
|
Following this effort, Joe tries Roman Catholic, Muslim and Jewish versions of the Padre, finally being told to have some Martian fatworm soup, the most nourishing soup in the solar system, by the Jewish version.
Compare to the robot pope from Good News From the Vatican (1971) by Robert Silverberg and the proselytizing robot from Cities in Flight (1951) by James Blish.
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