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||Dutch Clock (Time Machine)
||A tall Dutch clock with hands that move... backward.
Is this the first science fiction story about time travel? It might well be.
|On the first landing of the square stairway of the mansion loomed a tall Dutch clock. The case was more than eight feet high, of a dark red wood, not mahogany, and it was curiously inlaid with silver. No common piece of furniture was this. About a hundred years ago there flourished in the town of Brunswick a horologist named Cary, an industrious and accomplished workman. Few well-to-do houses on that part of the coast lacked a Cary timepiece. But Aunt Gertrude's clock had marked the hours and minutes of two full centuries before the Brunswick artisan was born. It was running when William the Taciturn pierced the dikes to relieve Leyden. The name of the maker, Jan Lipperdam, and the date, 1572, were still legible in broad black letters and figures reaching quite across the dial. Cary's masterpieces were plebeian and recent beside this ancient aristocrat. The jolly Dutch moon, made to exhibit the phases over a landscape of windmills and polders, was cunningly painted. A skilled hand had carved the grim ornament at the top, a death's head transfixed by a two-edged sword. Like all timepieces of the sixteenth century, it had no pendulum. A simple Van Wyck escapement governed the descent of the weights to the bottom of the tall case.
But these weights never moved. Year after year, when Harry and I returned to Maine, we found the hands of the old clock pointing to the quarter past three, as they had pointed when we first saw them. The fat moon hung perpetually in the third quarter, as motionless as the death's head above.
There was a mystery about the silenced movement and the paralyzed hands. Aunt Gertrude told us that the works had never performed their functions since a bolt of lightning entered the clock; and she showed us a black hole in the side of the case near the top, with a yawning rift that extended downward for several feet. This explanation failed to satisfy us. It did not account for the sharpness of her refusal when we proposed to bring over the watchmaker from the village, or for her singular agitation once when she found Harry on a stepladder, with a borrowed key in his hand, about to test for himself the clock's suspended vitality.
One August night, after we had grown out of boyhood, I was awakened by a noise in the hallway. I shook my cousin. "Somebody's in the house," I whispered.
We crept out of our room and on to the stairs. A dim light came from below. We held breath and noiselessly descended to the second landing. Harry clutched my arm. He pointed down over the banisters, at the same time drawing me back into the shadow.
We saw a strange thing.
Aunt Gertrude stood on a chair in front of the old clock, as spectral in her white nightgown and white nightcap as one of the poplars when covered with snow. It chanced that the floor creaked slightly under our feet. She turned with a sudden movement, peering intently into the darkness, and holding a candle high toward us, so that the light was full upon her pale face. She looked many years older than when I bade her good night. For a few minutes she was motionless, except in the trembling arm that held aloft the candle. Then, evidently reassured, she placed the light upon a shelf and turned again to the clock.
We now saw the old lady take a key from behind the face and proceed to wind up the weights. We could hear her breath, quick and short. She rested a band on either side of the case and held her face close to the dial, as if subjecting it to anxious scrutiny. In this attitude she remained for a long time. We heard her utter a sigh of relief, and she half turned toward us for a moment. I shall never forget the expression of wild joy that transfigured her features then.
The hands of the clock were moving; they were moving backward.
|From The Clock That Went Backward,
by Edward Page Mitchell.
Published by Not Known in 1881
Additional resources -
Is it possible to travel into the past?
"We hear much," said the Hegelian professor, reading from a notebook in his usual dry, hurried tone, "of the influence of the sixteenth century upon the nineteenth. No philosopher, as far as I am aware, has studied the influence of the nineteenth century upon the sixteenth. If cause produces effect, does effect never induce cause? Does the law of heredity, unlike all other laws of this universe of mind and matter, operate in one direction only? Does the descendant owe everything to the ancestor, and the ancestor nothing to the descendant? Does destiny, which may seize upon our existence, and for its own purposes bear us far into the future, never carry us back into the past?"
Compare to the time machine from The Time Machine (1895) by HG Wells, the Anachronopete from El Anachronopete (1887) by Enrique Gaspar, precogs from The Minority Report (1956) by Philip K. Dick, the chronoscope from Legion of Time (1938) by Jack Williamson, and the time-telespectroscope from The Exile of Time (1931) by Ray Cummings.
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