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"There's a poetry in the materials we use to construct our world of artifacts; it speaks of our long history as a technological species."
- William Gibson
 |
| Gravity Belt | ||
| Adds 'weight' for walking on asteroids. |
| An airlock door in the side of the Satona had opened. Grotesque in their goggled, billowing space suits three Martians were coming down a swinging ladder. The weight of the Wanderer, still clamped against her shell, was holding the larger craft askew. Not great, this weight, it is true, for the gravity of the miniature world was exceedingly minute, but the Martian captain had evidently thought it not worth while to correct the canting by use of his power-exhausts.
Arnim and Britt watched the ten-foot-tall aliens stride across the short stretch of deck to the entrance back of their own vessel. Around the waist of each a studded belt was clamped, its excrescences showing where the individual gravity coils were inserted. Were it not for these the Martians would have been rising a hundred feet with each step, so small was the asteroid's attraction. |
| From Venus Mines, Incorporated,
by Nat Schachner (w. AL Zagat). Published by Wonder Stories in 1931 Additional resources -
|
Compare to the anti-gravity belt from Philip Frances Nowlan's 1928 story Armageddon: 2419 A.D., the gravity web from Frank Herbert's 1969 novel Whipping Star and synthetigrav from James Schmitz' 1949 story Agent of Vega.
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'I'm afraid to tell you this Mr. Quaid, but you have suffered a schizoed embolism...'
'It drew its power from six square yards of sunpower screens on its low curved roof.'
'...lifted themselves to skimming flight upon whirling helicopters."
'Twenty rocket tugs towed it from its Earth hangar out into space.'
I don't need it to go fast, it just needs to amble along.
'The program raced up the screen one scan line at a time, subtly smoothing, deleting and coloring.'
