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"It's also important to vary your stimuli. I always look for new things to shock the system. Just as you make muscles grow by shocking them, you make the mind grow by shocking it."
- Bart Kosko
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| Brainlock | ||
| A technique to focus the attention of prisoners on a limited task, precluding the possibility of escape. |
Control the mind and get what you want. That's the purpose of a brainlock. Why spend money on guard towers and barbed wire when you can focus the attention of prisoners so precisely that they can't think of anything else?
| Jerry's beeper went off while they were drinking coffee in Slick's room, huddled side-by-side at the edge of the bed. He'd been telling her as much as he knew about the Korsakov's, because she asked him. He hadn't ever really told anybody about it, and it was funny how little he actually knew. He told her about previous flashbacks, and then tried to explain how the system worked in jail. The trick was that you retain the long-term memory up to the point where they put you on the stuff. That way, they could train you to do something before you started serving your time and you didn't forget how to do it. Mostly you did stuff that robots could do. They trained him to assemble miniature geartrains; when he'd learned to put one together inside five minutes, that was it. "And they didn't do anything else?" She asked. "Just those gear trains." "No, I mean like brainlocks." He looked at her. The sore on her lip was almost healed. "If they do that, they don't tell you," he said. Then the beeper went off in one of her jackets. "Something's wrong," she said, getting up quickly. |
| Technovelgy from Mona Lisa Overdrive,
by William Gibson. Published by Bantam in 1988 Additional resources -
|
Compare to the asteroid prison from One Against the Legion (1939) by Jack Williamson, the Alcatraz of Space from Reunion on Ganymede (1938) by Clifford Simak, the Moon as prison from The Moon is a Harsh Mistress (1966) by Robert Heinlein, zero-time jail from A World Out of Time (1976) by Larry Niven and the orbital penal colony from Tekwar (1989) by William Shatner.
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'...the rocket’s landing-arms automatically unfolded.'
'...points and patches of light... sliding all over their faces in a programmed manner that had been designed to foil facial recognition systems.'
'...the combined Wind-Suncatcher, like a spray of tulips mounted fanwise.'
'I went to the control room where the three other men were manipulating their mechanical men.'
'The low-slung monorail car, straddling its single track, bored through the shadows on a slowly rising course.'
'It was a smooth ovoid floating a few inches from the floor...'
'... he thrust in his charging arm to replenish his store of energy.'
'...the terrible Jovian gravity that made each movement an effort.'
