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"The way you write science fiction is: you sit down at your writing machine and you open your mind to the first thought that comes through."
- Frederik Pohl
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| Cyberspace | ||
| A computer technology that allowed people to see a computer network as an internal experience. |
As far as I know, this is the first instance.
| I knew every chip in Bobby's simulator by heart; it looked like your workaday Ono-Sendai VII, the "Cyberspace Seven," but I'd rebuilt it so many times that you'd have had a hard time finding a square millimeter of factory circuitry in all that silicon. |
| Technovelgy from Burning Chrome,
by William Gibson. Published by Not known in 1982 Additional resources -
|
Here is a somewhat more detailed description from Neuromancer, which Gibson published two years later.
The matrix has its roots in primitive arcade games...Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts... A graphic representation of data abstracted from banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding into the distance...
Although the word "cyberspace" is often used to describe the World Wide Web and/or the Internet, neither of these yet measure up to what Gibson was talking about.
Compare this to permanent hookup from Spectator Sport (1950) by John D. MacDonald, the Saga simulation from Arthur C. Clarke's 1956 novel The City and the Stars, the dead-show from Her Smoke Rose Up Forever (1974) by James Tiptree, Jr., the virtual matrix from The Judas Mandala (1982) by Damien Broderick and the Saga simulation from Arthur C. Clarke's 1956 novel The City and the Stars. Note also the DreamTime Scleral Contact Lenses From The California Voodoo Game (1992) by Larry Niven (w/S. Barnes).
Compare to the life chamber from The Chamber of Life (1929) by G. Peyton Wertenbaker and the holodeck from Encounter at Farpoint (1987) by David Gerrold.
Case was twenty-four. At twenty-two, he'd been a cowboy, a rustler, one of the best in the Sprawl. He'd been trained by the best, by McCoy Pauley and Bobby Quine, legends in the biz. He'd operated on an almost permanent adrenaline high, a byproduct of youth and proficiency, jacked into a customized cyberspace deck that projected his disembodied consciousness into the consensual hallucination known as the matrix.
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Additional
resources:
More Ideas
and Technology from Burning Chrome
More Ideas
and Technology by William Gibson
Tech news articles related to Burning Chrome
Tech news articles related to works by William Gibson
Cyberspace-related
news articles:
- Data Mining In Three Dimensions
| Muxcard Redditor's DIY Credit Card-Sized Computer |
| Cortex 1 - Today A Warehouse, Tomorrow A Calculator Planet |
| Is Agentic AI The Wrong Kind Of Smartness? |
| Jetson Orin Nano Super 70 Just $249 |
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'Chris, the City Fathers are not interested in your welfare; I suppose you know that. They're interested in only one thing: the survival of the city.'
'Drake was the young spatial engineer he employed to terraform the little rock...'
'It diverts integers of the data, the fundamental message-units, so that they no longer agree.'
'Clothes are no longer made from dead fibers of fixed color and texture that can approximate only crudely to the vagrant human figure...'
'Books were just a commodity that had to be produced, like jam or bootlaces.'
