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"I don't have an e-mail address. As much as I admire the Internet I suffer literally agoraphobia, which in it's original sense means a fear of the marketplace. I do not want to receive three hundred e-mail messages per week from strangers…"
- William Gibson
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| Fenton Silencer | ||
| A device to cancel noise over a broad area. |
In this amusing story from Tales from the White Hart, one of the patrons of the pub tells the story of young Robert Fenton, who was stronger on practice than on theory - unfortunately.
| "Doubtless some of you will already see what I am driving at, and will appreciate the basic principle of the Fenton silencer... It consisted of a microphone, a special amplifier and a pair of loud speakers. Any sound that happened to be about was picked up by the mike, amplified and inverted so it was exactly out of phase with the original noise. Then it was pumped out of the speakers, the original wave and the new one cancelled out, and the net result was silence. Of course, there was rather more to it than that. [But]... it's a simple application of negative feedback. |
| Technovelgy from Tales from the White Hart,
by Arthur C. Clarke. Published by Ballantine Books in 1957 Additional resources -
|
This is from Silence Please, the first story in this book of short stories, first published in 1957.
This story offers good engineering detail on noise cancellation; however, I think that Robert Heinlein's hush corner beats the Fenton Silencer by a nose, having been published in Double Star in 1956. Also, see the isolation barrage from Wandl, The Invader (1939) by Ray Cummings and the sound nullifier from Prima Donna 1980 by Bernard Brown. Don't miss the more thorough-going sound-killing air fluid from The Noise Killer (1930) by AM McNeill.
Thanks to Paul, who wrote in about this story in a comment on another technovelgy item.
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