Science Fiction
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"[Science fiction] is the only kind of writing that allows you to look at the world we live in and change one piece at a time."
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In typical style, the device is worked into the story by comparing it with other hush corners in the narrator's experience.
In this scene from the novel, two rocket pilots argue over hiring an actor to "double" for their boss, an important political figure on Mars.
One of the strengths of Heinlein's writing (for me) is his ability to directly connect the culture of the 1930's and 1940's with an era in which space travel is commonplace. He does it in this case by mentioning a mentalist act (mind reading) performed live in a large hall.
This piece of technovelgy predates the term "cone of silence," as used by Frank Herbert. Herbert also deals with the lip-reading problem. You might also be interested in Heinlein's futuristic modifications of the hush-a-phone, an actual invention used in the nineteen-twenties and thirties. Don't forget the Fenton silencer, from Arthur C. Clarke's 1957 short story collection Tales from the White Hart. Comment/Join this discussion ( 1 ) | RSS/XML | Blog This | Additional
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Science Fiction
Timeline
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'Its lines wavered, flowed, and then painfully reformed.'
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