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"SF looks towards an imaginary future, while fantasy, by and large, looks towards an imaginary past."
- Frederik Pohl
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| Collapsar Jump | ||
| Travel between collapsed stars in no time at all. |
| Twelve years before, when I was ten years old, they had discovered the collapsar jump. Just fling an object at a collapsar with sufficient speed, and it pops out in some other part of the galaxy. It didn't take long to figure out the formula that predicted where it would come out: it travels along the same "line" (actually an Einstein geodesic) it would have followed if the collapsar hadn't been in the way - until it reaches another collapsar field, whereupon it reappears, repelled with the same speed at which it approached the original collapsar. Travel time between the two collapsars ... exactly zero. |
| Technovelgy from The Forever War,
by Joe Haldeman. Published by Not Known in 1974 Additional resources -
|
Collapsar jumps were mostly preprogrammed:
Compare to jump point from Bill for Delivery (1964) by Christopher Anvil,
hyperspace jump from Foundation(1951) by Isaac Asimov,
Alderson point (Crazy Eddie) from The Mote in God's Eye (1974) by Niven and Pournelle,
planoforming from The Game of Rat and Dragon (1953) by Cordwainer Smith,
jumpdoor from Whipping Star (1969) by Frank Herbert.
A convenient way to go AWOL, since once you were out of the chain of collapsar jumps you'd be practically impossible to track down. Unfortunately, your jump sequence was preprogrammed by Strike Force Command; the human navigator only came into the picture if a miscalculation slipped you into the wrong "wormhole," and you popped out in some random part of space.
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'...the combined Wind-Suncatcher, like a spray of tulips mounted fanwise.'
'I went to the control room where the three other men were manipulating their mechanical men.'
'The low-slung monorail car, straddling its single track, bored through the shadows on a slowly rising course.'
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'... he thrust in his charging arm to replenish his store of energy.'
'...the terrible Jovian gravity that made each movement an effort.'
