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"I can remember when the first pulsars were discovered. I was able to go and sit down and listen to graduate students talking about what their theories, to explain what pulsars really were."
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This is one of the cooler features of the Hogwarts castle from Harry Potter and the Sorceror's Stone; however, it appeared in this novel by Stanislaw Lem more than a generation earlier.
These ceilings are intended to solve a problem in a very organized future society; how do you have multi-level cities, while still making sure that everyone has the feeling of being outdoors?
I'm wondering if there are any earlier examples of this, either in sf or in the design world. The idea of a flat display the size of a wall is present in the parlor walls from Ray Bradbury's Fahrenheit 451, which was published in 1953. I also remember flat panel displays used as 'windows' (with a picture presented from outdoors) within an enormous city-in-a-building (an arcology) from Oath of Fealty, a 1981 novel by Niven and Pournelle.
Compare to Robert Heinlein's simulacrum window from Tunnel in the Sky (1955), the sky ceiling from the 1961 novel Return From The Stars by Stanislaw Lem, the ersatz window from the 1969 novel Galactic Pot-Healer by Philip K. Dick and the window wavelength from the 1969 novel Super-Toys Last All Summer Long by Brian Aldiss. Comment/Join this discussion ( 5 ) | RSS/XML | Blog This | Additional
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