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"The science fiction method is dissection and reconstruction. You look at the world around you, and take it apart into its components. Then you take some of those components, throw them away, and plug in different ones, start it up and see what happens."
- Frederik Pohl
 |
| Toner | ||
| Dead bits of nanomachines. |
A mark of a good writer is that he or she not only creates a new world, but also takes the time to "age" it a little. The use of the word "toner," which most of us recognize from our experience with copying machines and printers, conjures up an image of a very fine black dust. The "mites" referred to in the following excerpt are nanomachines the same size as dust mites.
| "See, there's mites around all the time. They use sparkles to talk to each other," Harv explained. "They're in the food and water, everywhere. And there's rules that these mites are supposed to follow. They're supposed to break down into safe pieces... But there are people who break those rules [so the] Protocol Enforcement guys make a mite to go out and find that mite and kill it. This dust - we call it toner - is actually the dead bodies of all those mites. |
| Technovelgy from The Diamond Age,
by Neal Stephenson. Published by Bantam Books in 1995 Additional resources -
|
This is frankly a more complex world than I wish to live in. The problem is that once this technology is available, anyone can use it. Not everyone agrees about following the rules.
To understand what is meant by "they use sparkles to talk" see the entry for lidar.
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'Internally it’s made up of millions of components, but the most important ones are the thinking and memory parts of the Mind proper.'
'I could look down at that face of carefully molded synthetic rubber, tinted the exact shade of the doctor's living flesh.'
'Chris, the City Fathers are not interested in your welfare; I suppose you know that. They're interested in only one thing: the survival of the city.'
'Drake was the young spatial engineer he employed to terraform the little rock...'
'It diverts integers of the data, the fundamental message-units, so that they no longer agree.'
'Clothes are no longer made from dead fibers of fixed color and texture that can approximate only crudely to the vagrant human figure...'
