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"What television does is rent us friends and relatives who are quite satisfactory. This is quite something, to rent artificial friends and relatives right inside the house."
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Compare to the reflecting Artificial sun from Revolt on Inferno (1931) by Victor Rousseau, the synchrophased power beams from Murray Leinster's The Propagandist (1947), the spot light of heat from Niven/Pournelle/Flynn's Fallen Angels (1991) and Clifford Simak's solar energy beam from Masquerade (1941).
For those keeping track, this story was in the January, 1941 issue of Astounding, while Theodore Sturgeon's orbiting mirror was in the February issue, in a clever short story called Completely Automatic. Comment/Join this discussion ( 0 ) | RSS/XML | Blog This | Additional
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