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"I've been very obsessive about writing science fiction for far too many years. Anyone with an ounce of sense would have given up years ago."
- Charles Stross
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| Graffiti-Eating Finish | ||
| A wall covering that maintained itself, eating any graffiti placed on it. |
William Gibson's environments tend to oscillate back and forth between gritty urban realism and (often computer-generated) perfection. Sometimes, real world objects are given the same degree of perfection as computer-generated objects.
| The store on Sunset had a finish that ate graffiti. The gang kids would come and tag it; twenty minutes later these flat, dark, vaguely crab-like patches of dark blue would come gliding out around the corner… They seemed to be embedded, a few millimeters down into the surface, which was a sort of non-glossy gel-coat affair, but able to move around under there. Smart material, he'd heard that called. And they'd glide up to the tag, whatever artfully abstract scrawl had been sprayed there to declare fealty or mark territory or swear revenge… and start eating it. |
| Technovelgy from All Tomorrow's Parties,
by William Gibson. Published by Putnam in 1999 Additional resources -
|
Imagine - a clean convenience store! Actually, of course, this is just the Lucky Dragon global chain protecting its brand image.
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'Looks like she has bought the Avatar Construction Set and put together her own...'
'Across the ground something small and metallic came, flashing in the dull sunlight of midday.'
'A broken circle with arrows pointing to a right-hand flow appeared in the chalf.'
'The object seemed melted together like wax — nothing was distinguishable.'
'Midges have many capabilities. To the untrained eye, they look like sparrows.'
'I made disks of my own voice to the number of five hundred very carefully chosen words.'
'His sensors out and working, and the whirring of the tape that sucked up sight and sound and shape and smell and form...'
