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"The wealth of the universe is all over your head. We need to take command of the solar system to gain that wealth..."
- Larry Niven
 |
| Ultraminiature Spy-Circuit | ||
| Tiny bits of 'smart dust' used as surveillance devices. |
| Morrissey, now working the spy screen, said, "We just got a view into another part of their ship. But it faded out again." Hammell growled. "That's the trouble with these ultraminiature spy-circuits. They drift in like dust motes, but you have no control over where they drift. An air current, or a static charge, can completely foul up your arrangements." |
| Technovelgy from The Unknown,
by Christopher Anvil. Published by Amazing Stories in 1972 Additional resources -
|
It's hard to control the distribution of tiny, dust-sized spy devices:
"Most went elsewhere. We have a wealth of coverage where we don't want it. We've got an inside view of deserted parts of the forest, we're snooping in all the cabins we don't want to be in, we've even got a close-up view of a pot-hole at the bottom of a waterfall, with rocks and gravel grinding around inside; but we still don't have as much overlapping coverage as I'd like of that cruiser."
Compare to the distribution methods used for the recording eyes from Robert Silverberg's 1969 novel The Man in the Maze.
See also the raytron apparatus from Beyond the Stars (1928) by Ray Cummings, the scarab robot flying insect from The Scarab (1936) by Raymond Z. Gallun, the artificial eye drone from Glimpse (1938) by Manly Wade Wellman, eyes from This Moment of the Storm (1966) by Roger Zelazny, copseyes from Cloak of Anarchy (1972) by Larry Niven, the sky ball from A Day For Damnation (1985) by David Gerrold, the drone floater camera from Runaway (1985) by Michael Crichton, the aerostat monitor from The Diamond Age (1995) by Neal Stephenson, the loiter drone from The Algebraist (2004) by Iain Banks and the bee cam from City of Pearl (2004) by Karen Traviss.
"When Hammell released the spy-circuits, some were drawn into the cruiser down there, and some went elsewhere. How is our general coverage on this part of the planet?"
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'...waldoes in the screen followed in exact, simultaneous parallelism.'
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'...great rectangular slabs of muscle, slung into a rectangular frame.'
'If the biological robots were not living creatures, they were certainly very good imitations.'
"Everybody and his dog, it seemed, wanted to live out in the country; transportation and communication were no longer isolating factors."
'... the new typewriter that could be talked to, and which transposed the spoken sound into typed words.'
