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"I kind of take it for granted that our great-grandchildren will regard us as a sort of precursor species. That they won't think of us as human and if we could see them, we probably wouldn't think of them as human either."
- William Gibson
 |
| Displacement Booth | ||
| A teleportation portal. |
The displacement booths were the sole and ubiquitous form of travel in the future society of the novel.
| A displacement booth was a glass cylinder with a rounded top. The machinery that made the magic work was invisible, buried beneath the booth. Coin slots and a telephone dial were set into the glass at sternum level.
Jerryberry inserted his CBA credit card below the coin slots. He dialled by punching numbered buttons. Withdrawing the credit card closed a circuit. An eyeblink later he was in an office in the Central Broadcasting Association building in Downtown Los Angeles. |
| Technovelgy from Flash Crowd,
by Larry Niven. Published by Fantasy And Science Fiction in 1972 Additional resources -
|
Displacement booths are similar to the more technologically advanced stepping discs created by the alien Puppeteers of Niven's 1970 novel Ringworld.
In Flash Crowd, Niven explores the idea more thoroughly than in Ringworld. He adds additional material about how stepping discs are used by Puppeteers in his new book Fleet of Worlds, written with Edward M. Lerner.
Compare to the telepomp from The Man Without a Body (1877) by Edward Page Mitchell, the
stepping discs from Ringworld (1970) by Larry Niven and the
trip box from Eye of Cat (1982) by Roger Zelazny.
Also, see the libra-transmitter from Into the Meteorite Orbit by Frank R. Kelly, the cosmic express from The Cosmic Express by Jack Williamson, Jaunte from The Stars My Destination, the Transo from Time is the Simplest Thing by Clifford Simak and the geofractor (1939) from One Against the Legion by Jack Williamson.
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'So, Ender, we will now begin your education.'
'What strange sensitivity! What an amazing development of science was manifested in every move and act and word of this Robot!'
'Forget the head atop it, the legs below, feet, arms, hands. It compels erasure.'
'That explains how it was so easy for me to remain motionless in midair or to perch on a flagpole in imitation of a giant bird, even in the windy city of Chicago.'
'The thirty-odd miles of The Factory’s circumference...'
'Wandering mines, you took them out on the edge of the desert, set them down and activated them.'
'Once in the very first weeks of the war, before everyone had been evacuated from the surface...'
'For a while your colonists will have to come up to the [orbital] Hospital...'
