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Science Fiction
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"The way you write science fiction is: you sit down at your writing machine and you open your mind to the first thought that comes through."
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Here are some additional details:
Thomas stared at the black mound of brain. “Are you talking to me?” he asked the robass.
“Ha ha,” the voice said in lieu of laughter. “Surprised, are you not.”
“Somewhat,” Thomas confessed. “I thought the only robots who could talk were in library information service and such.”
“I am a new model. Designed-to-provide-conversation-to-entertain-the-way-worm-traveler,” the robass said slurring the words together as though that phrase of promotional copy was released all at once by one of his simplest binary synapses.
Well, ’ said Thomas simply. “One keeps learning new marvels.”
Boucher points out that riding a legged transport is not always comfortable, as the robass itself points out:
Even earlier, Emile Souvestre described a steam horse in Le Monde Tel Qu'il Sera (The World As It Shall Be), published in 1846.
Considering it as transport with legs, compare to the centipede-machine from Monsters of Mars (1931) by Edmond Hamilton, the ships with legs from Buck Rogers: 2430 AD (1929) by Nowlan and Calkin, the metal monster from The Doom from Planet 4 (1931) by Jack Williamson, the walker wagon from Farmer in the Sky (1950) by Robert Heinlein, the walking mill from Bread Overhead! (1958) by Fritz Leiber, the centipede from Killing Titan (2015) by Greg Bear and the walking fort from The Killing Machine (1964) by Jack Vance.
Compare to the steam horse from Le Monde Tel Qu'il Sera (The World As It Shall Be) (1846) by Emile Souvestre,
the steam cart horse from Frank Reade and his Steam Horse (1883) by Harry Enton,
the robotic horse - Faithful Cybernetic Companion from The Warlock in Spite of Himself (1969) by Christopher Stasheff and
the chevaline from The Diamond Age (1995) by Neal Stephenson.
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