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"I think we could solve our problems more easily through strength of character; but that's always been a commodity in extremely short supply."
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In the near-future of Time is the Simplest Thing interstellar explorers could project their minds to planets revolving around other stars. Upon their return, the travelers could bring back small samples or technological knowledge.
When this novel was written, there were fewer choices on television, and families were much more likely to watch a single television together - establishing the idea of an entertainment center in one room.
I'm fascinated by Simak's grasp over what people really need from their entertainment; they want to be "hauled into" the story. When this novel was written, mass entertainment was a purely passive form of entertainment; you sat and you watched.
In today's world, we are accustomed to being pulled into the world of the story. In hands-on museums, we are encouraged to try an experiment for ourselves. In amusement parks, like Disney's Animal Kingdom, we are drawn into a story about the animals we are seeing, rather than just sitting and looking.
Finally, the Internet itself is an interactive medium; we look and we make choices constantly about what to see or do next. Recent research shows that, in some age groups, television is actually losing audience share to the Internet, as people choose to surf or shop - creating their own experience with their choices - rather than sit passively and watch.
Be sure to look at Ray Bradbury's parlor wall from Fahrenheit 451, a story about the perils of mass media that is perhaps too attractive. Also, compare to peeper from Simak’s 1957 story Shadow World and to the Perky Pat layout from The Days of Perky Pat (1963) by Philip K. Dick. The immersive home video from Steven Spielberg's 2002 movie Minority Report is an impressive visualization of a similar idea. Comment/Join this discussion ( 1 ) | RSS/XML | Blog This | Additional
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Science Fiction
Timeline
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